Life on This Side of Publication: Part Two- To Publication and Beyond!

Last week I shared my experience in query land. Today, I’ll continue with life ‘after publication’…the reality.

Yep, reality, sounds funny, right? 

Think about it, you’ve spent months, even years, living in ‘fantasy land’, then emerge from your writing cocoon in search of an agent or publisher. You’ve either signed a contract or decided to self-publish.  Your book is now available on Amazon and Barnes & Noble as an eBook or paperback. You’ve tweeted it, shared it, posted, and hyped it up. Anticipation has been growing and your future fans are lining up with dollars in hand for the big release day. Now all you do is sit back, relax, tell your friends and family they are  now looking at a published author, and watch the money roll in. Right?

WRONG!

This, my friends, is where the REAL WORK BEGINS! Yep, I said it! W-O-R-K!!!

Did I fail to mention a lack of sleep????

Sorry, I jumped ahead of myself again. Let’s back it up a bit….

Amazon Rank for October 4, 2012 - #16 Multicultural Romance  (Peaked at #4)  and #41 in African-American Literature & Fiction (Peaked at #17) - Paid Books #3181 (Peaked at #1717)

First, there are the days leading up to the big release. The contract has been signed, the publication date announced, and editor assigned. Your version of the final manuscript has been submitted and now you wait for the edits to start rolling in. A dead line is given. Then you’re off to the races! What happens next?

First you deal with your editor, your new best friend and avid supporter because they are now invested in the project as much as you are. You accept or reject suggested changes, they make sure the storyline is consistent, all the facts have been checked, and the character’s names have not changed. Once you both are satisfied with the results (and let’s face it, you’re a professional now and a deadline is a deadline!) the manuscript is next sent to the line-editor. Their job it is to check everything again…line-by-line, every period, comma, hyphen, exclamation point…yep, all the extremely technical stuff that you and your editor didn't see. And believe me people, regardless of what level of publication you’re at, whether it’s self-pub and you hire an editor, e-pub and you’re working with editors, or even one of the Big Six-traditionally pubbed where thr is a team of editors...there WILL  be errors that make it into the work, regardless of how many eyes look at it…it’s called human imperfection! (I have read three Nora Robert’s new releases this year, all hardback, and every one of them had errors, be it technical, or even storyline, or   what character’s POV we were supposed to be in, and again, this is in books from a TRADITIONALLY PUBLISHED BESTSELLING AUTHOR!)

Once your book has been sent through the ringer, you now have the final read, your last chance to (hopefully!) find any errors and point them out. Final changes are made, then it’s off to publication!

Now what?

You now must figure out how to promote your work. Unless you have a Nora Roberts budget and backing from the Big Boys, it’s up to you to push your book. Blog tours, promos on Facebook , Twitter, Google+, websites…the list goes on and on. In the end, you get what you put in. The more work you do, the better the results. The less work you do…you got it, no results. The truth of the matter is, you can sit at your computer and talk about, copy/past, share, and tweet all day long, but in the end it’s up to the readers to choose your work. Just because you promoted in twenty spots does not me your going to get at least twenty sales for the day.  

So what do you do?

 Me and my manager, Lady Kayne of  Major Movement Inc.,  at my first official meet/greet as a published  author! 

You keep talking about it, keep promoting, and sell not just your work, but yourself as well.

But that’s not all! In the mist of promoting, you now must continue to write…because hey, one book wasn’t all you planed on publishing, right? Whether you’re writing a series, like I am, or you’re selling standalone novels…writing, plotting, and planning the next story doesn’t stop. If anything, your new readers will be craving more of you work!

Congratulations! You are now a published author with fans!!! And fans need to be sated!

Good luck with finding a happy balance between being an author, promoter, wife/father, and parent… and if you have a nine-to-five job, you’ve got to work to pay your bills, and manage all of this wonderful stuff in between!!!

But guess what, after all the headache, the sleepless nights as you struggle to keep your sales rankings up on Amazon, religiously check your ranking every hour upon the hour, even at two A.M….it’s all worth it in the 

end! 

MJ

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To Hire an Editor or Not to Hire an Editor…That is the Question!

Editors. In the world of writing, we all need one. The question is when.

During my writing journey, I’ve heard various tales, feedback, and opinions.

No, don’t hire an editor to read your work before submitting. You’ll be wasting money. Let the publisher pay for it.

Yes, hire an editor; it could increase your quality of your product and give you an opportunity to actually find and agent and/or publisher.

Decisions, decisions, decisions.

When it all comes down to it, the true question is: how much money do I want to invest?


Two years ago, the thought of an editor reviewing my work scared me. The idea of someone taking my work, ripping it to shreds, and spitting it back at me, demanding that it be re-written because it wasn’t good enough had me cursing the profession. I pushed that thought aside and focused on writing a story that I wanted to tell. Next, I focused on learning as much as I could about sentence structure, setting up the paragraphs, scene breaks, chapter breaks, and POV changes. Then, I built the infamous repeated/passive word list to tighten up my prose. I’ve gone over my list so many times while doing my own edits, I rarely have to pull it up to know what words to avoid. In fact, when I write a scene, I now catch those words and change them before they hit the screen.

However, that doesn’t cover everything. There are still the annoying details of correct grammar usage, using the right word tense, and spelling. Unless you were a serious English major in high school, college, or took a class specifically for this type of detail, there’s no possible way you’ll ever be able to catch every detail. To be honest, no one ever will, even if that’s what he or she does for a living. Why? Because we are all human. And humans make mistakes, whether we want to believe it or not.

A perfect example: how many times have we as readers picked up a novel by one of our favorite big-name publishing houses or New York Times Bestselling authors, only to discover a major editing error? Come on, we’ve all done that. Why? Human imperfection. No matter how many times a manuscript is read, no matter how many attempts are made to dot all the ‘Is’ and cross all the ‘Ts’, humans make errors, especially if it is your own writing.

So, what does that mean for the newbie like me, who is unpublished, or for an author who is self- published?

It means you have a decision to make. How much do you want to invest in yourself?

The investment is not only about money; it’s also about time.

If you decide to use an editor, how do you know you’ve found an editor you can work with? Of course, the first thing everyone looks for is reputation. Word of mouth from other authors in your writing network is great too. Nevertheless, in the end, it comes down to one-on-one communication. Does the editor understand your type of writing ? Do they edit a lot of work in your genre? Will they be able to understand the rules of the genre you’re writing? What timeframe are you looking for? Will it take a few days or a few weeks before they return your work? What type of editing are you paying for?

Type of editing? If this is new to you, then it’s something you must know. There are several types of editing available. What’s the differences?

Copywriter or Copy-Editing:
Their job is to be sure your story is written well and logically structured. Correct grammar and spelling is checked, as well as ensuring the ms fits the publishers ‘style’. They ask questions of the author and check story facts.

Content Editor:
Their job is to ensure your work meets the standards for accuracy and style. They check for spelling, grammar, coherence, consistent style. They also proofread to be sure copy-editing work has been completed.

Proofreader:
In the publishing world, a proofreader is generally the last person to see your ms after it’s been through other editors’ hands and before it goes to print. Their job is to do a final read through to catch any mistakes the first editors may have missed. This is generally the most affordable.

If you are not shopping your manuscript around and have decided to self-publish, you should seriously consider having at least one of these editors review your work. Depending on what phase of your writing career you are in, it may not be in your budget. If you go the proofreading route, then know, you MUST review your work again after the editor returns it. If you don’t and there are issues the editor pointed out and you don’t review them, it is on you, not the editor.

So, what route will you choose?

Here’s what I’ve learned. Agents are meticulous. Not only does your story have to engage them and keep them interested for at least the first three chapters, the quality of your writing has to as well. Sending them an unedited copy - and by that I mean, work you haven’t spent time searching for errors yourself - makes a difference. The cleaner the read, the more focused on the story they will be, not the plethora of errors littering the pages. Taking that amount of time, or money, also lets them know that you, the author, are willing to put in the work it takes to make a better product. With the current economy, every business is looking for ways to cut down their expenses. If you walk in the door offering a product they can spend less money on before making it available for sale, you increase your chances of them choosing your manuscript.

Sell yourself.

Here’s another fact you must remember: if you decided to use an editor…don’t just pay them and expect what they send to you in return doesn’t need to be reviewed. Any editor, especially a professional, will tell you that after they do their magic, it’s up to you, the author, to review your manuscript. Just because they make changes or suggestions does not mean you have to accept it. It’s up to your discretion. But, you still have to re-read your work from beginning to end. It’s up to you to put that stamp of approval on it before sending it out into the world . That requires more work on your part. If you don’t do the work, then you will have to deal with the consequences of any un-corrected errors. The editor’s job is to work with you, which means you in turn must work with them.

I’ve had the opportunity to talk to a proofreader many of you may have seen on Facebook or Twitter, @TJProofs. She shared some helpful information on how to determine what type of editor you need, depending on the amount of work you’ve put into cleaning up your manuscript.

“A proofreader, which is my specialty, is generally the last person you see. They focus on clean manuscripts, after they’ve run their gamut (through a publisher), but many people try to skip the steps. The fact of the matter is, if you are horrible at punctuation, you choose a copy-editor. If you feel you’ve got punctuation licked, but your story needs a scouring for consistency, you may choose a content editor. If you have a great idea, but need someone to go through your MS with a fine-toothed-comb - rewriting sentences for clarity, passive statements, content, and punctuation – then you need a full-scale editor.” 


To learn more about TJ and the services she offers, visit her at www.ManuscriptProofing.com. Other places where she can be found are:

Facebook, Twitter
Blog: manuscriptproofing.blogspot.com
Email: TJProofs@gmail.com or TJ@ManuscriptProofing.com

I hope this information has been informative. Whether or not you choose to use the services of any of the above editors, I wish you the best on your writing journey!

MJ

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Building Real Characters: How to Bring Them From the Page and Into Your Heart

I’ve read many articles and blogs dealing with character development. Each has taught me something I have used to aid me in making my characters real. Though I must confess, it is impossible to create a lovable character - or one you hate - without doing several ‘passes’ over your MS. But before you reach the writing stage, you have to know who it is your birthing into your ‘world’. Whether your genre is sci-fi, paranormal, or contemporary, the ‘world’ your character inhabits needs real people in it. Creating characters that are neither cardboard nor two-dimensional takes time. Just like getting to know someone in the real world, or cyber world,  if you spend as much time on Twitter or FB like I do.

So, how is it done?

Google character building and you will find tons of research articles to point you in the right direction. Today, I decided to share a few things that I’ve learned, as well as few tricks I’ve pulled from my own hat to make them even more realistic.

The Physical:

One of my critique partners showed me something one day that I could never, ever write without. She had a picture collage she put together of actors, actresses, and models that fit the physical description of the way she saw her characters. Not only is it a great way to actually ‘see’ your characters in the real world, it’s a great way to reference them without mixing them up with their sidekicks or other family members.

My favorite thing to do when writing is pull up pictures of my h/h side by side and look at them. I’ll imagine what expressions they’ll make while having a conversation, sort of like animators do when drawing a cartoon character. Bringing the characters to ‘life’ is so much better than just imagining them in my head without a visual reference.

Character Charts:

I’ve mentioned them before on a previous blog, (The Importance of Writing Outlines, Part Two), but there’s no harm in mentioning them again. Every writer knows the type of story they want to tell and can envision the types of characters that inhabit that world. But who are they?

Unsure of what traits to give your characters? This book by Linda N. Edelstein, PH.D is a great place to start! 

My first attempt at writing a character chart focused on the basic information: name, age, height, weight, race, parents, you know the drill. Pretty much the average questions we all answer when writing a bio for our FB accounts. But does that say who we are? What our life experiences have been? What events in our lives make us who we are?

Nope. But we need these things in order to create real characters. Who is in their family? What was their first job? What are their beliefs? What would they be willing to fight for and can’t live without? What dirty little secret sits in the closet and threatens to ruin their life if anyone found out?

Being able to answer those type of questions - even if they are not relevant to your story - will help you fill in the blanks as you write. Establishing these things is like having the character sit next to you as you type and say, ‘Hey, I wouldn’t do that. This is what I would do.” Oh yes, that wonderful moment when your character interrupts your train of thought as you write a scene and hijacks it. Next thing you know, they’ve taken over and what you imagined would be brilliant looks like dog crap next to what they’ve shown you.

That type of moment can’t be found without having the correct tools to get to know them.

A year ago, I was pointed in the direction of this writer, Charlotte Dillion's, website.  There I found the most detailed character outline chart I’ve ever seen. I’m sure we’ve all ran across them in books on writing, but this one, in my opinion, took it a few levels deeper. You have to check this link out: Character Charts. (Besides this character chart, she has a wealth of other writing information to share. Stick around and check it out.)

At first glance it’s a little daunting. When printed out, page, after page, after page of questions. My first thought was, “How am I supposed to answer this?” I knew then I had no idea who my characters truly were.  I spent the next two weeks getting to know my hero and heroine. I invited them to move in with me and my family (yeah, the kids thought it was kind of weird, but hey, they’re fictional, at least they didn’t need food or a place to sleep!) and spent a week getting to know each character. I interviewed them, learned about their family history, bad dating experiences, dream jobs, and things they hated the most. When the two weeks were up, I knew them as well as I know myself and could understand why they’d fall in love. I also understood how they would react to the issues I threw at them. My hero took one look at the original ending of my story and flat out told me he wasn’t a punk. I needed to give him some balls or else he was gonna walk. I took a look back at the interview we’d done, looked at his convictions, and beliefs and said, ‘Yep, your right. You’d definitely kick his butt.’ And from there came a perfect ending to their story.

 Okay, okay, now I sound like I have a multiple personality disorder. But lets face it, all serious writers are look over our shoulders for that little white truck with the 'special' white jacket that make you hug yourself from time to time, right????

Tip:

If you find yourself stumped on how your characters would react in a situation, visit this link: http://zodiac-signs-astrology.com/zodiac-signs. It's a great way to discover the way people react based on their astrological signs. I don't follow these, but I have to admit it did help discover my characters. Also, try checking out psycology books that delve into typical character traits. The book I enjoyed was, Writer's Guide to Character Traits, by Dr. Laura Edelstein.

Careers, Homes and That All Important Fragrance:

To get to truly know my characters, I had to do research.

Askhow.com was a rich resource for learning about what it took to get the job my characters wanted.  Google pictures of the house they lived in, geographic maps for the town, even Craigslist was a great source for ideas on what type of car they drove. Magazines with pictures of model homes, housing floor plans online, and my all time favorite, perfume and cologne samples. Yep, nothing puts you in the frame of mind of writing your h/h’s significant other than the fragrance they wear. I must say, Polo Black, by Ralph Lauren, is sexy and smells perfect for my first male lead. I think I’ve actually fallen for Brian after smelling that scent. I can only imagine how Ebony feels every time she sees him. 

So, that's a few of the things I've done to help my  along my writing journey. How about you? Got any tips, tricks or things you do that you will like to share? Leave a comment!

Until next time: Write Well!!!

MJ

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Finding the Correct Genre For Your Prose

 *The original post was done June, 7, 2011, but I felt the need to share it again. Since this post, things have changed. I have found an editor which I love dearly, and the series itself has changed from a three book series to a six book series, The Butterfly Memoirs. Also the ms title has changed from The Healing Heart to A Heart Not Easily Broken. It fits the theme of the story so much better. Please feel free to post your thoughts!*
  
This week I started edits for chapter three of The Healing Heart. This is going to sound weird, but after learning about the craft of writing, I've done what a lot of writers swear never to do: re-write my first story.

*Audible gasps of horror from hundreds of writes as I type*

"Why on earth would you re-write your first story?????"

Good question. I've read interviews and blogs of various authors - both published and non-published - who say they will never touch their first story again. Many felt their writing sucked, or because the story line wasn't strong enough. Most said it was due to rejection letters from publishers, or because their agent kept wanting to change what the story was about in order to fit their personal tastes.  That's something I refuse to do. Don't get me wrong, if an editor or agent had suggestions on what to change to make it a stronger sale, and I felt it would stay true to the story without taking the heart out of it, then yes, I would do it. Since I don't have an agent or an editor,  I'm relaying on my amazing critique partners to point me in the right direction. But change it completely? I don't think so. That's a decision I will make on my own.

And I did.

The reason why had nothing to do with fitting inside the neat little box of traditional romance stories. I am confident about the stories theme.  It originated as a form of personal therapy because of issues my family dealt with at the time. It was a way to keep my sanity without loosing it. My desire to write it and do it justice  inspired me to learn about writing. My determination and enthusiasm for this project has far outweighed my other creative form, floral design. I've studied the art of floral design for several year, it's a talent that I can do with my eyes closed. But now my love  of reading and storytelling has completely taken over. I feel so strongly about the story and the characters that what started out as therapy turned into a three book series.  All three books were written in a nine month period from start to finish, each a minimum of 350 pages.  And those were all typed without an outline. I'll never do that type of writing again.

Once I joined a critique group, I just knew I was well on my way to becoming a published author, whether by traditional means or self publishing.

Boy was I wrong.

The first and biggest thing I learned from my new critique partners when the began reading my story was this:  they had no idea what genre I was trying to be in.

'ROMANCE!', I replied.

I mean obviously. I said I wrote romance so I was, right?

Nope.

I was told my book came across as YA/Romance/Multicultural Romance/Chick Lit/Woman's Fiction. I needed to pick one in order to establish my genre.

My mind was completely blown. My writing spirit crushed. I didn't want to write YA because my story was going to contain adult romance themes. I wanted to write a maturation plot about an eighteen-year-old female who was learning life lessons about love, heartbreak, friendship, surviving tragedy and becoming a stronger woman because of it. But I needed to keep the theme of romance. And if this was YA, I would have to edit the love scenes down or out of the story because they're a key part of this young ladies road to discovering herself. Her emotional attachment to the hero and what devastates her in the key part of the plot. YA was definitely NOT what I wanted.


So, diving deeper into the many, many facets of the romance genre, I discovered Chick lit/Women's fiction.  I figured my story would definitely fit in here. But what grown woman would want to read about and eighteen-year old discovering her independence? (Okay, I admit, as a grown woman, I've been caught up in the Twilight Saga, have read all the books twice and own them all and can't wait for the last movie to come out, but that's definitely YA.)

SOOOOOOOOO.... what to do, what to do.

The first thing I did was put that story aside and went to work developing a whole new series. This one specifically for the Romance genre with Multicultural themes and adult h/h. It took a few months to write the story, but I struggled along. I fell in love with the h/h, brought the characters setting closer to home, but I still struggled on finding strong goals and conflict to catch the reader.

But then I did something that changed my writing career. I took a Writing Workshop.

Author Valarie Clark gave a workshop at the local Community Collage back in February. I had seen the advertisement for the class a year ago around the same time. But my budget wouldn't allow it. And I'm glad it didn't. I don't think I would have appreciated the significance of the class as much as I did this go round. One of the biggest things I learned from her was finding your writing platform, the over all theme that made my story stand out from the rest. And lets face it, there's a ton of wonderful, and not so wonderful, romance story's out there. Where could I possibly fit in?

And then it hit me. My first MS. The story that motivated me to begin writing. The Healing Heart.

I spent an evening FB chatting with one of my critique partners, discussing story themes, (remember that night Erin? lol)  All of a sudden, I've got it. Woman's Fiction/Romance with Multicultural characters.

Or at least that's what I think it is. LOL.... stay tuned for more updates!

Digital Audio Recording Device + Editing=??????

It's the end of the week and I'm still editing chapter two of The Healing Heart. I should have been finished by now, but life has caused me to spend less than three hours a day editing and has slowed me down. Oh well, when you have a family of 7 (plus 2 dogs) and responsibilities that are more pressing than writing, it can't be helped.

The week started off with typing up chapter two from my handwritten manuscript. (Yes, to all who haven't read my last few blogs, I decided to go 'old school' and hand write my MS without using my laptop.  I had my reasons and I'm glad I did). I followed my editing process outline and moved quickly. Then came the emergency trip to the dentist. And my daughter's volunteer work at the library. Coincidentally, the library is where I had the chance to sit in one spot for a great about of time and actually get some work in. Then came the trips in and out off the house for various reasons which brings us to today......On my plate, a trip to have blood drawn and the dreaded eye doctor for two of my kids, an appointment I'm seriously dreading. Every time we go, we end up waiting an hour just to be seen. Sigh. It's gonna be a long day.

So what does this have to do with a Digital Audio Recording Device?

An article I read on self-editing suggested, as we all have learned, reading your MS out loud is a good way to hear what you've written and helps find mistakes that need to be corrected. I've tried that before, but it never fails I rarely get through the whole thing without having to stop for some reason. The article also suggested recording yourself reading out loud. Here lately, I seem to be recording everything I can. I recorded my Writer's Workshop class I took back in February with author Valarie Clark. And I recorded the GRW meeting with guest speaker Suzanne Brockmann in April. Why not record myself?

I admit, the thought made me nervous. After all, have you ever listened to yourself after leaving a voice mail and thought, 'Uh, I sound awful?'. God knows I have. But I sucked it up, realized nobody was going to hear it but me and hit the record button...and laughed when I pressed play. I can read aloud just fine, no problems there. But listening to myself say a curse word??? ROTFL! Some people should not curse and I swear I'm one of them! Thank good my MS has very little profanity. Reading the parts that showed the h/h impressions of sexual attraction to one another was even worse. *shakes head* I can only imagine what it will sound like when I get to the chapter with the love scene. *grimaces* My hats off to the voice actors who make a living bringing characters to life in audio books! They deserve every penny!

All jokes and embarrassment aside, I found the technique has actually worked. Even though I haven't been able to sit down at my laptop and make the actual changes as I listen to my MS, I have been able to make mental note of what needs to be changed. How? By taking my MP3 player (what I used to record) with me everywhere I've gone, and listened. I made mental notes of where I stumbled over a phrase because the wording didn't flow. I was able to notice repeated words a lot faster than if I had been staring at the screen all day. I noticed areas that could use a little more description or a little more emotion because something sounded like it had been left out.

Being forced to LISTEN to what I've written instead of READING it for the hundredth time made a huge difference!

Everyone who's edited knows it can be hard to have spent all that time with the characters in your head, translate your thoughts into words on screen, and then read it back WITHOUT your mind automatically filling in the blank because you know exactly what you intended to say. No matter how many times we read and re-read our work, it's not until a critique partner reads it and leaves comments that say, "uh, what does this mean?" that you realize all this time it sounded right to you. If you critique partner had to ask, what about future readers????

What a difference a pair of fresh eyes can make! And I don't mean putting in a fresh pair of contacts, because I did that this week too!

Using your EARS forces you to LISTEN to what's coming next and not SEE it. You'll be surprised to note where your brain thinks the scene is going to go vs. where it actually does. It made a huge difference in my editing this week.

So, as I prepare to wake up the kids so they can get ready for their appointments, I plan to make another recording so I can take it with me. During my dreaded hours at the eye doctor I will be listening and making notes so when I get home, I will be able to jump right into editing and get this darn chapter finished! (Oh great, I sound even worse saying darn!)

Editing by way of a digital audio recorder may not be your style, but give it a try at least once. You may be pleased with the results.

Finding Creative Ways to Edit While Running My Household

*This blog was originally posted on May 30th, but the information is still relevant. As a mother/author, I'm always doing something! Every day my responsibilities change, especially since the kids are back in school with during school and after school activities. I must find some creative way to keep writing in order to meet my goals!*

"I can do this, I can do this..."

The past week had me finding creative ways to edit my MS while juggling my responsibilities of being a mom, wife, drill Sargent (to my kids), taxi driver, chef, book keeper, personal shopper, errand girl, doctor, veterinarian, housekeeper, psychiatrist....and oh yeah, an aspiring author. In short, being a mom and wife who's four kids are now home for summer vacation.

Did I miss a job?!?!?!?

It's funny to realize how much I do in a day when it's broken down and written out that way.

Nothing is ever set in stone. I made a schedule before the kids got out of school last week and have tried my best to stick to it. How has that gone? Mmmm...not so great. So far, the only consistent part has been me waking up, making up the bed and staying on the kids about getting chores done. All of the other job titles are being managed by order of importance, but lets face it ladies (and gents), if your a mom or wife, that's a job that never gets a break. Unless the kids are visiting Grandma or your hubby's asleep.

But you know what, I have no complaints. I love my husband, I love my kids, my cousin, and I love my life. All I have to do is keep my mind focused on my goals and prioritize.

And be creative!

This week, found me editing in one of the most unlikely places. The laundromat. Yep, I said it, the laundromat. With a family of seven, it's a momentous task to haul all the clothes to the wash house. And believe me, I do not handle that task alone! I have at least three of the four kids with me and everyone has their assigned task. And when the clothes were in the washing machine and the kids were sitting down with snacks, books, and drawing paper, I pulled out my laptop. Earphones came in handy as well as a playlist of instrumental music to listen to when I edit. I managed to get nearly two hours of work done before it was time to pack it up and start folding clothes. Sweet!

The next thing I did was pack up my laptop and take my daughter the library. She's got her first job volunteering in the kids section, four hours a week. What better place to edit without being disturbed? Even though my other kids go with us, they also have stuff to do.They are enrolled in the summer reading program. Once they meet their reading requirements, they will get a free book to add to their personal libraries. They also get free prizes every week for bringing in their reading logs. There's also the option to log onto the Internet, play computer games or read a book. My oldest plays chess with other kids or meets with friends from school. Yep, you've guessed it, we're a family of nerds who hang out at the library. It's our favorite hot spot!

Now, here's a thought.....When I've edited my MS and am ready to share it with the world, I will have a path to chose, do I go self-pub like my critique partners Chicki Brown and Erin Kern (who's books are currently on sale on Amazon)? Do I try Indie Publishing or go for the big publishing houses? Decisions, decisions, decisions.

I'd love to see my name in print and have a copy at the library. And then I figured it out. I'm gonna have a copy of my book printed and sneak it into the library, put it on a shelf and take a picture. That will be good enough for me!